The Blogger Podcast host:
Have you been a blogger or a video podcast host the need to up your video quality game? That you do not necessarily desire a hi-tech fancy camera, rather you just require a camera that will allow you to look good.
• The Film School or Anti-Film School student:
Maybe you're taken from film school or even a film and video program frustrated that most you learned was theory. So now you're ready to get available and start shooting, but you need to start your gear collection.
• The Aspiring Pro Filmmaker or Video Producer:
You intend to start getting paid to produce videos. However, you'll need the proper tools to put your image and sound most importantly your competition out there.
Let's reach the principal tool: The Camera.
Not All Cameras are Created Equal.
When a camera manufacturer sets out to style a camera, there is an obvious purpose and user in mind. You could be thinking, "A camera is just a camera right?" Not really. Basically, you can find four general different kinds of video cameras available.
When you're starting out making videos and you could not have that much experience under your belt, so it's difficult to learn whch category of camera will suite you. It's difficult to know what sort of camera excels where specific purpose or which camera is suitable to make use of under which circumstance. It's difficult to know why you'd even would like to get one style of camera verses another?
The Right Tool for the Right Job.
In one sense, you can almost use any camera for almost any and all situations. However, that doesn't show that you should. For instance, if you're a residence painter and you were hired to paint the exterior of an enormous mansion. You wouldn't simply use a small brush to paint the entire house. You'd use rollers or some sort of spraying device. Exactly the same pertains to the planet of video cameras. Video and filmmakers find themselves needing to shoot in many forms of scenarios. Just know there are explanations why certain cameras have now been designed with certain specifications. Camera manufacturers generally design cameras centered on user feedback and common video shooting scenarios. This doesn't mean you must attempted to buy 3 or 4 cameras. In reality, you probably can only just afford one camera and you only want one camera anyway.
A very important factor is for many, everything starts with the camera. It's the primary tool for video and filmmaking. Video and filmmaking is a visible medium first and foremost. You can find so many options as it pertains to cameras. New types of cameras are usually coming out every few months. The cost ranges may vary vastly. The reality is, every camera has its strengths and weaknesses.
If you're just beginning you might not know what're the strong or flaws of every kind of camera. A friend might have told you "Hey you HAVE to purchase a DSLR to shoot your videos." Your friend may not need explained what the downsides are. Even worse if you mainly need to create multiple hour-long web lectures, the final thing you'll need could be the DSLR. The strongly recommended DSLR may become the totally wrong tool for your needs.
A producer was telling me they had a shoot that required a camera that might make stunning images, but they also had to shoot all day where they'd capture a lot of footage. What they needed was a big sensor camcorder that may record for long periods of time. The producer told me the videographer they caused brought a camera that's notoriously huge video file sizes and short record times. It slowed them down seriously to off load a great deal of footage onto a notebook, constantly putting a halt with their shooting schedule. Together with that the camera is definitely an ergonomic nightmare. Which also slowed the shooter down when it stumbled on constantly changing setups.The camera did ultimately produce stunning images, but at the cost of being inefficient.
I've been in this situation too as the person who brought the wrong camera for the job. It not just cost me time, money and energy, it negatively impacted the entire shoot experience and the connection with the client. My point is that there IS really anything as having the proper tool for the best job. Besides gaining experience, how else would you make educated decisions about an impending camera purchase?
How will you determine what sort of camera you'll need?
This really is my estimation about what one needs to consider.
Starting in this order will allow you to narrow down the camera and all necessary supplemental equipment. Again, it all starts with the selection of camera. From then on the audio/mics, tripod and to some degree the lights will soon be informed by picking a camera.