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In 1969 he met his potential partner, Françoise and these were married in 1970. Exactly the same year his daughter Pierre was born. He extended to sing in cabarets and bars of the Rive Gauche, the literary and intellectual quarter of Paris. He produced almost no money but his wife encourage him to persevere. Ultimately in 1971, he arrived his first agreement with the Pathe-Marconi tag but he still did not find success.

1973 noted the end of the small singer's hard work. He produced the acquaintance of Joe Socquet, the artistic director of RCA who was very interested in the repertoire of the disillusioned Alain Souchon. Frank Socquet had just published "L'amour 1930" for a intimate German performer but he inspired Alain to sing that tune at the Rose D'Or of Antibes contest. It was his first success.

Alain then achieved Laurent Voulzy, a new musician created in 1948 and produced through to Anglo Saxon audio whose job had not yet taken off. The connection between these two performers immediately needed off. Their celebrities accompanied one another and their work increased very quickly. Alain was the stronger at the lyrics while Voulzy presented the music. They cut their first album in 1974 named "J'ai 10 ans" which emphasised the sophisticated type of Souchon and the modernity of Voulzy. After years on the cabaret scene, Alain Souchon is finally acknowledged for his skill and in 1975 reductions a second recording named "Bidon" which is why Voulzy wrote all the music. This is a huge success. By 1977 he'd continued accomplishment with the record "Jamais material ".The tune "Allo maman bobo" headlines his style of male brittleness that the singer asserts. Another music "Poulailler's Music" evokes hateful humour. Notwithstanding the fact Souchon is definitely an incorrigible dreamer, he liked to handle certain problems.

The publishing together of Souchon and Voulzy also had separated benefits for Laurent Voulzy who in 1977, obtained success with "Rockcollection" in collaboration with Souchon. Both guys isolated themselves in Brittany for several weeks at a time to write new albums. They labored well together and in 1978 Alain Souchon introduced yet another record "Toto 30 ans ".That album is deeper than usual but the general public still warms to it. The singles "Le Bagdad p Lann Bihoue" and "Papa Mambo" are big successes. This disc also marks the first faltering step of Alain Souchon towards the cinema whilst the movie director Francois Truffaut commissions him to create the title tune of his film "L'Amour durante fuite ".프로미먹튀

In 1978, Alain's second boy Charles, was born. Several months later, in January 1980, Alain is asked to sing at l'Olympia which can be indeed a triumph. In November he delivered for seven days where Laraunt Voulzy joined him when to sing two new tunes together.

In 1980, the album "Rame" was released which Alain Souchon's old buddy Michel Jonasz sang with him on the title song "Jonasz ".Since 1974, the two musicians have been writing often together and discussed exactly the same vision. This season also sees his first forage in to an working job in "Je Vous Aime ".With Catherine Deneuve, Gerard Depardieu and Serge Gainsbourg, Alain Souchon represents a fragile and melancholic person. His acting is so much loved that Jean-Paul Rappeneau then called upon him to celebrity in the picture "Market feu promote fire" with Isabelle Adjani and Yves Montand. That movie is successful but it is in the 1983 picture "L'Ete Meurtrier" where he represents a character fatally in enjoy along with Isabelle Adjani that delivers him real fame.

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